Ebook The Return (Pulitzer Prize Winner): Fathers, Sons and the Land in Between, by Hisham Matar
Ebook The Return (Pulitzer Prize Winner): Fathers, Sons and the Land in Between, by Hisham Matar
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The Return (Pulitzer Prize Winner): Fathers, Sons and the Land in Between, by Hisham Matar
Ebook The Return (Pulitzer Prize Winner): Fathers, Sons and the Land in Between, by Hisham Matar
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Review
“[Hisham Matar] writes with both a novelist’s eye for physical and emotional detail, and a reporter’s tactile sense of place and time. The prose is precise, economical, chiseled; the narrative elliptical, almost musical. . . . The Return is, at once, a suspenseful detective story about a writer investigating his father’s fate at the hands of a brutal dictatorship, and a son’s efforts to come to terms with his father’s ghost, who has haunted more than half his life by his absence.”—Michiko Kakutani, The New York Times “It seems unfair to call Hisham Matar’s extraordinary new book a memoir, since it is so many other things besides: a reflection on exile and the consolations of art, an analysis of authoritarianism, a family history, a portrait of a country in the throes of a revolution, and an impassioned work of mourning. . . . For all its terrible human drama . . . the most impressive thing about The Return is that it also tells a common story, the story of sons everywhere who have lost their fathers, as all sons eventually must.”—Robyn Creswell, The New York Times Book Review“[The Return] roves back and forth in time with a freedom that conceals the intricate precision of its art. One of the greatest achievements of this outstanding book is a narrative design that keeps us hungry for new information even when we suspect exactly what has happened. . . . Mr. Matar is not a wonderful writer because his father disappeared or because his homeland is a mess: He is a brilliant narrative architect and prose stylist, his pared-down approach and measured pace a striking complement to the emotional tumult of his material.”—The Wall Street Journal “One comes away from this beautiful book feeling a sense of loss for the Libya that Matar and his father, brother, mother, uncles and cousins all fought for or dreamed of. . . . The effect of the family’s attachments is less sentimental than defiant. And although the author does not want to give Libya anything more, he has, in this profound work of witnessing and grief, given it something indeed: a testimony that, even if shaped by the brutal state, has not ultimately been erased by it. The Return, for all the questions it cannot answer, leaves a deep emotional imprint.”—Newsday “A moving, unflinching memoir of a family torn apart by the savage realities of today’s Middle East. The crushing of hopes raised by the Arab spring—at both the personal and national levels—is conveyed all the more powerfully because Matar’s anger remains controlled, his belief in humanity undimmed.”—Kazuo Ishiguro, “The Best Summer Books,” The Guardian“Matar’s prose is both spare and soaring, transporting in the way a great painting or musical composition can be. His words are selected with careful intention; his sentences are at once poetic and conversational, his themes particular and universal. . . . Matar’s evocative writing and his early traumas call to mind Vladimir Nabokov . . . but where Nabokov’s loss of country and father were public and final . . . Matar’s are frustratingly indefinite. . . . There is no record. There is no grave. Only this elegy by a son who, through his eloquence, defies the men who wanted to erase his father and gifts him with a kind of immortality.”—The Washington Post “The Return is not about one family. It’s the story of Libyan opposition and resistance, although the Matar family shapes the storyline. . . . The book describes how, cruelly, even the dimmest ray of hope can keep the families of the disappeared from accepting the possibility of their loss.”—The Christian Science Monitor “In this triptych of beloved country, father, and the art that survives, Matar moves us with the force of his compassion, grace, and fury. . . . The Return is one of the most notable memoirs of our generation, by one of our most elegant living writers. In his testimony to the tenacity of the human spirit, Hisham Matar has shown us what language can do.”—Los Angeles Review of Books “An utterly riveting account of a devoted son’s quest to learn the fate—not necessarily the truth—of Jaballa Matar.”—The Boston Globe “A moving new memoir that is as much a commentary on the power of art as it is a harrowing tale of life under totalitarian rule . . . Even in the face of unspeakable injustice, family and stories possess the power to help one endure.”—Minneapolis Star Tribune “Few trips could be as emotionally freighted as the one taken by Libyan-raised novelist Hisham Matar in his thriller-like memoir, The Return: Fathers, Sons, and the Land in Between, about the post-Qaddafi search for his dissident father—and his own deeply ambivalent sense of homecoming.”—Vogue “He writes eloquent and precise prose, and his deep inquiry into his father’s imprisonment and absence, and the conflicting details about his death, blend with consideration of Libya’s politics and history, to create a deeply resonant memoir.”—National Book Review “A masterful memoir, a searing meditation on loss, exile, grief, guilt, belonging, and above all, family. It is, as well, a study of the shaping—and breaking—of the bonds between fathers and sons. . . . This is writing of the highest quality.”—Sunday Times (London) “At times almost unbearably moving . . . Hisham Matar is an observer and listener of enormous subtlety and sensitivity, and he writes English prose as cleanly and clearly as it can be written. This is a story of terrible deeds, but also a tale of mighty love, loyalty and courage. It simply must be read.”—The Spectator “A truly remarkable book. From the raw materials of his anger, his suffering, and his guilt, Matar has built a testament to his father, his family and his country. . . . It is a book with a profound faith in the consolations of storytelling. . . . The Return is an act of defiant remembering”—Daily Telegraph (UK) “[A] magnificent book . . . Deeply affecting.”—The Times (UK) “Out of his protracted torment Matar has forged a memoir that in its nuance and nobility bears unforgettable witness to love, to courage and to humanity. The Return is also a subtle and nimble work of art. It shifts elegantly between past and present, between dialogue and soliloquy, between urgent, even suspenseful action, and probing meditations on exile, grief and loss.”—Financial Times (UK) “Mr. Matar’s questions, however, go well beyond politics. This beautifully written memoir deals with the nature of family, the emotions of exile and the ties that link the present with the past—in particular the son with his father, Jaballa Matar.”—The Economist “[Matar] reveals a suspense novelist’s seasoned instincts . . . A beautifully written, harrowing story of a son’s search for his father and how the impact of inexplicable loss can be unrelenting while the strength of family and cultural ties can ultimately sustain.”—Kirkus (Starred Review) “A magnificent memoir of exile and loss. Hisham Matar writes Libya’s contemporary history with a Proustian sensibility and the intellect of Al-Jahiz. A timeless read.”—Rawi Hage “The Return is a personal memoir, concerned with the kidnapping and disappearance of the writer’s father at the hands of the Qaddafi regime. It is wise and agonizing and thrilling to read.”—Zadie Smith“What a brilliant book. Hisham Matar has the quality all historians—of the world and the self—most need: He knows how to stand back and let the past speak. In chronicling his quest for his father, his manner is fastidious, even detached, but his anger is raw and unreconciled; through his narrative art he bodies out the shape of loss and gives a universality to his very particular experience of desolation. The Return reads as easily as a thriller, but is a story that will stick: A person is lost, but gravity and resonance remain.”—Hilary Mantel “The Return is a riveting book about love and hope, but it is also a moving meditation on grief and loss. It draws a memorable portrait of a family in exile and manages also to explore the politics of Libya with subtlety and steely intelligence. It is a quest for the truth in a dark time, constructed with a novelist's skill, written in tones that are both precise and passionate. It is likely to become a classic.”—Colm Tóibín “A triumph of art over tyranny, structurally thrilling, intensely moving, The Return is a treasure for the ages.”—Peter Carey “The Return is tremendously powerful. Although it filled me with rage again and again, I never lost sight of Matar’s beautiful intelligence as he tried to get to the heart of the mystery. I am so very grateful he has written this book.”—Nadeem Aslam
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About the Author
Born in New York City to Libyan parents, Hisham Matar spent his childhood in Tripoli and Cairo and has lived most of his adult life in London. His debut novel, In the Country of Men, was shortlisted for the Man Booker Prize and the National Book Critics Circle Award, and won numerous international prizes, including the Royal Society of Literature Ondaatje Prize, a Commonwealth First Book Award, the Premio Flaiano, and the Premio Gregor von Rezzori. His second novel, Anatomy of a Disappearance, published in 2011, was named one of the best books of the year by The Guardian and the Chicago Tribune. His work has been translated into twenty-nine languages. He lives in London and New York.
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Product details
Paperback: 272 pages
Publisher: Random House Trade Paperbacks; Reprint edition (April 4, 2017)
Language: English
ISBN-10: 0812985087
ISBN-13: 978-0812985085
Product Dimensions:
5.2 x 0.6 x 8 inches
Shipping Weight: 7.2 ounces (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
148 customer reviews
Amazon Best Sellers Rank:
#27,793 in Books (See Top 100 in Books)
I decided to buy this book based on an NPR radio interview with the author that I heard soon after the book's release. He had such a wonderful speaking voice and delivery that it made me want to buy the book thinking and hoping that his prose would be as beautiful. It is.In addition, having lost my own father when I was barely 21 (although in much less complicated conditions than the author's), any story about fathers and sons always will catch my interest.In the end I couldn't give this a 5-star rating. Something was missing and I couldn't quite put my finger on it. Perhaps it is that, while I can relate to the issue of a lost father and memories, I am not muslim or from the African continent...nor am I a political exile. Therefore, I couldn't relate completely to the author's pain and resolve.What I did get was a good education on Libya, of which I know only what I've seen in the news for the past 30 years. I learned more than I knew about Qaddafi's brutality and of the life of exiles throughout the continent and Europe. The prose is very nice and easy to read....sometimes too easy. I found myself going back to re-read some passages because I had a feeling I might have missed something beautiful or revealing. That was the case more often than I am proud to admit. The author was very successful in putting the reader---at least me---in a situation in which I pictured my father, my family and me in the same situation. It wasn't a pleasant feeling, but it wasn't meant to be. Many of us are very lucky just because we were born in a free country. This book will make you think of how lucky those people are indeed and just how un-lucky many others are.Overall, I recommend this book as a pleasant, informative, powerful and educational read that will make the reader reflect. It doesn't resolve as clearly as I had hoped, but it is not hard to suppose what happened after the book's end.
Interesting as recent history of Libya but too detailed because things that interest author because his relations etc too much for ordinary reader - weighs the book down. While highly praised and prize winning I felt it didn't say anything new about 'returning' everyone who has left their own country and lived elsewhere whether as an exile or as an ex-pat experiences a lot of what Matar experiences. His is intensified by disappearance of his father and terrible torturing etc under Gadaffi but probably no worse than what it is like for hundreds of thousands of current refugees. He was lucky because he went to England for an education and had contacts and one assumes was able to make a living. But good to read thinking of current stateless people.
I loved this book for its integrity and its understanding of Libya and the politics surrounding this country. I did not like it for how impersonal and cold it sometimes felt. Matar is intense. His singular obsession to find out what happened to his father is understandable. To have a father who clearly loved his country above all else is tough to take--and yet, his father is so admirable, and so weren't many others, who had to suffer because Quadafi was a lunatic. There was so much promise for Libya when Quadafi came into power--but because of the seductive reach of power, all goodness disappeared. One thing is for sure--all those US senators that had to have fifty million reports on the Benghazi incident haven't a clue about Libya.
This is a story of a nation in perpetual grieving over the grave tragic losses of precious lives, and the pervasive banality of evil everywhere and all the time. Sadly, this is one of many countries, and one of many family stories in our time and the current cold and intentional denial and rejection of aid by the international community and the leaders of powerful countries. It is a heartbreaking story of humanity, both its survival and repeated defeats, in its perpetual purgatory. The writing is so clear and precise, you can almost see the faces of his family, lovers of literature, theater, music, food, with the same rights and desires that we take for granted, imagine their lives, enjoying love for each other, love for the nature, the desert and the sea shattered by violence, despair, devastation, anxiety, anger.
Reading this book reminded me of the richness reading gives one in life. This book is good literature; and, good literature builds bridges of compassion and understanding by connecting cultures and the experiences of what it means to be human. Matar gives us a heart filled account of a son’s search for his father which is fully present without an ounce of sentimentality - a wonderful accomplishment.
A must read; about the lies, deceits, falsehoods and mental and physical cruelty of an absolutely corrupt regime and one that in light of recent history and developments in the USA we may well see repeated, this time in what has been a foremost Western Democracy. Hisham Matar also writes with great tenderness about family, friends and the country he and his family had to forsake.
This story is autobiographical in the Qaddafi era in Libya but the family live in Egypt. The father is a dissident and spends long periods away from home. On one of these occasions he is kidnapped by the regime. His son, the author of this story grows up through the years of his disappearance, suffers the loss of his father and his mother takes to alcohol to console herself. Many members of the extended family are also kidnapped. They, however are eventually released. Not so for the father and the story ends with the conclusion that he must have been shot in the 1996 massacre in Abu Salim jail which was liberated by the rebels. Gaddafi was overthrown in 2011 after 40 years rule. This is a heart felt story, very well written and holds the tension of the search until the last page.
The author describes his dogged search for information about his imprisoned father with clarity. But at the same time he seems oddly detached. Although there are many times he writes about his feelings, the book is unemotional and he doesn't recount any of the events comprising the actual overthrow of the regime. But it was nevertheless an engrossing book and a good portrayal of the Libyan persona.
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