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A $500 House in Detroit: Rebuilding an Abandoned Home and an American City, by Drew Philp

A $500 House in Detroit: Rebuilding an Abandoned Home and an American City, by Drew Philp


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A $500 House in Detroit: Rebuilding an Abandoned Home and an American City, by Drew Philp

Review

“In this impassioned memoir, a young man finds a community flourishing in a city so depopulated that houses are worth less than a used Chevy.…Philp ably captures the frontier feel of Detroit as he laboriously rehabs his ruined house from foundation to roof. His homebuilding narrative is engrossing….The book shines [in its depiction of] the ‘radical neighborliness’ of ordinary people in desperate circumstances.” —Publishers Weekly“[Philp] quickly becomes an involved resident, using creativity, resourcefulness, ingenuity, and positive thinking to create a place for himself in a depressed city…highly recommended for general readers interested in the history and resurgence of Detroit and other U.S. cities.” —Library Journal“Engrossing…Philp is a great storyteller, and he has done a good job of documenting his struggles to carve out a home. It’s also easy to see why he intends to stay.” —Booklist“[A] deeply felt, sharply observed personal quest to create meaning and community out of the fallen city's ‘cinders of racism and consumerism and escape.’ Philp ably outlines the broad issues of race and class in the city, but it is the warmth and liveliness of his storytelling that will win many readers. A standout in the Detroit rehab genre.” —Kirkus Reviews, starred review“Lots of young bohemian types are fascinated by Detroit—land of the fabled $500 house!—but few take the plunge as headily as Drew Philp did, not only buying his own place but renovating it from the inside out, getting to know the neighbors, and learning about one of America's most fascinating cities as only a true resident can. Philp writes about his experience with sensitivity, humility and humor, and his voice is a necessary addition to the literature of the Motor City.” —Mark Binelli, author of Detroit City is the Place to Be“Downright eloquent and deeply moving. Beyond the sheer, compelling force of Philp’s writing, his account is insistently honest and full of insight. No shortcuts. No unrealistic fantasies. No pretenses of the sort that made my nerves twitch before I gave up on the literature of Nightmare Detroit. Philp the 23-year-old kid comes alive convincingly, in all of his confused but determined effort to rebuild a house and sink roots. He captures the city in all of its horrors and hopes, contradictions and blind faith.” —Frank Viviano, eight-time Pulitzer Prize-nominee, and National Geographic writer since 2001“An important and powerful memoir that looks at the struggles and great efforts being spent on breathing life into a decayed city, and delves into the complicated and diverse people trying to carve out better futures.” —New York Journal of Books“A fascinating inside look….Philp writes with exuberance and sincerity....Inspiring.” —Minneapolis Star-Tribune

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About the Author

Drew Philp’s work has been published both nationally and internationally and has appeared in publications, including BuzzFeed, The Detroit Free Press, Metrotimes, Corp! Magazine, the Bakersfield Californian, and the Michigan Daily. He lives in Detroit with his dog, Gratiot. A $500 House in Detroit is his first book.

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Product details

Hardcover: 304 pages

Publisher: Scribner (April 11, 2017)

Language: English

ISBN-10: 9781476797984

ISBN-13: 978-1476797984

ASIN: 1476797986

Product Dimensions:

6 x 1 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

63 customer reviews

Amazon Best Sellers Rank:

#524,024 in Books (See Top 100 in Books)

I wouldn't hesitate to recommend this book to anyone. It's very well written and full of characters that come to life. A couple things keep me from giving it five stars, but it's still a highly enjoyable, inspiring, and entertaining book.A little background to give perspective: I was born in 1961 and raised in Detroit's Cass Corridor, on 4th street just off Grand River. My dad worked on the Cadillac assembly line. I saw the 1967 riots with my own eyes, National Guard tanks and troop carriers drove right by my house. As a white kid in an overwhelmingly black city, I was the minority. By the time I was born, the neighborhood was already on the decline, but after the riot it quickly deteriorated even more. Despite this, we had good times walking to Tiger Stadium or downtown. When I was 11, we moved to a "better" neighborhood, which also quickly declined, especially in the 80s. Despite its problems, I loved my life in Detroit, and although I moved away in my 20s, I still have family there, visit when I can, and consider it home.First, I'll get a couple things out the way that I didn't care for.The author, by his own admission, was/is a very idealistic young man with a lot of opinions about race, class, wealth, poverty, Chinese labor, corporations, banks, politics, and everything that touches our lives. This is fine. No story of Detroit can be told without the context of those issues. However, a point that is made in one paragraph sometimes extends into a page or more of text. Although it's always well-written, sometimes it's a bit much. Along the same line, although I loved the author's poetic writing style, there are portions where it became, to use a cliche, too much by half. These issues were enough to sometimes take me out of the story. One other minor thing, which is true of most non-fiction books I read. Maybe it's just me, but I like knowing the dates, even just the year, of events in a non-fiction narrative. If chapter titles or section breaks had included months and years, I would have kept a better grasp of how things were progressing. Not a mark against it, but just something I personally find helpful.Now, on to the positive. As I said, I was raised in inner-city Detroit. It could be scary, but that was life and I didn't know anything else existed. Despite my love for Detroit, and knowing that it is full of good people, I admit that I would never be courageous enough to do what the author did. He faced an incredible obstacle, self-made to be sure, but through hard work, patience and perseverance, he accomplished something pretty amazing. It's easy to pontificate about "making things better" but most of us stop short of putting any really hard work into it when our discomfort exceeds our convictions. The author put his convictions into action, and didn't quit. There would have been no shame in quitting at any point on his journey; he would have been given credit and admiration for giving it a shot. He could have driven in from the country every day or every weekend, and volunteered on some project, and that too would be worthy of praise. But he put himself on the line and gave it everything he had, without thinking he was going to be the "white savior."Despite my caveats above, I did enjoy the poetic nature of the writing, and the placement of "Detroit" as both a city and a concept within the context of history and world events. The details were vivid and the personalities shined through. The author definitely caught the essence of the Detroit I remember: hard working people fighting to make things better, a little at a time; neighbors evolving from suspicious to "family"; people with few resources willing to give away what little they have. I also enjoyed the author's descriptions of places I am familiar with, such as Belle Isle and the Detroit Institute of Arts.Overall, the positives of this book far outweigh any issues I had with it, and I do highly recommend it. I would read more by this author.

Being a lifelong Detroiter, this book really brings to life the trial, blight and macabre fascination the country has with Detroit. The rest of the country views Detroit as a violent hellhole, and there is a lot of truth to that. But what is missing from the viewpoint, is the other side of Detroit: the decent, hard-working, determined people who call it home.Living in Detroit is not for the faint-hearted, which is why Drew Philp's experience is unique and compelling. Sure, at times his naiveté occasionally clouds his judgment. He is a guy from a small-town in rural Michigan, educated at the fairly prestigious (but equally pretentious) University of Michigan. His time living in a impoverished portion of the city is wrought with new life experiences, different both in what he expected, and in what he was prepared for. His story, though, is not one of idealism or even self-congratulatory braggadocio. It is a story of a collapsing urban center, and an idealistic young man who not only wanted a cheap place to live, but to become one of a community... a community different than the one he grew up in, or the one he was educated in.The book is a lot of stories. Stories about building a roof, or trying to get heat, electricity and plumbing. But it is also so much more. It is about understanding yourself, your neighbors and your local government. As he nears completion of his house, Philp himself grows. Gone are those stereotypes he showed up with, replaced with respect for the people of Detroit, as well as self-respect.This is the kind of a book you can read in one sitting, because Philp's ability to tell a story keeps you turning page after page. His heartfelt honesty and determination are inspirational, and it shows Detroit in a light that no one outside of Detroit ever sees.

I was very skeptical when I picked this up. I had heard good things about the book, but I've certainly read enough "Transplant Discovers Himself/Herself In The 'Authentic', Postapocalyptic Landscape of Detroit And Writes About It" that I wanted to approach this with caution. I didn't quite put two and two together that this was the book that grew out of the 2014 Buzzfeed piece that made its rounds on the interweb, right around the time I was starting to do some work in Detroit but before I moved there-- a piece that seemed to capture a lot of what I was thinking about at the time.First, Philp is an excellent storyteller. He is able to weave a series of small, seemingly inconsequential moments into a deeper, broader narrative that frame his own personal growth as well as the gradual but stark evolution of a neighborhood. Philp tackles basic questions of growing up-- dealing with family, dealing with love and heartbreak- alongside bigger, enormously complicated and utterly important questions: What does it mean to redevelop such a spectacularly decimated city like Detroit? How can we claim "community" when we really mean "consumption"? Is the suspension of urban democracy an acceptable price to pay for revitalization?Many of these questions are posed rhetorically, as if to say, "if you're not outraged, you're not paying attention," and Philp illustrates them through a gamut of individual moments, like the immediate challenges of living in a neighborhood where you have to fear for your life because of stray dogs, as well as broader trends (housing and interstate highway development, or, for example, the cultural crusade against the city by Oakland County Executive L. Brooks Patterson, whose racism could readily contend with Jeff Sessions or your local neighborhood Grand Dragon).Philp's take on race is particularly notable. He provides germane, unapologetically critical commentary on the history of race relations in the Motor City, but he often doesn't describe characters by their race. This is especially interesting as a lot of the artsy, newer transplants to Detroit do not reflect the racial makeup of the city (but are anyway fairly diverse). Indeed, the inability of any new group in Detroit to mirror the demographics of the city (he mentions Alex Hill's critique of the demographics of an army of imported technocrats) is enormously problematic but also something Philp isn't trying to solve-- it's still interesting that he becomes an integral member of this neighborhood, sort of by accident, and comments on the macro picture of race relations while not identifying many of the local characters by their race.At times, the critical commentary added into his writing can seem a bit facile. He sometimes seems to be ignoring the bigger picture of some of the social and economic pressures that affect him and his neighbors, and I think this is the kind of thing that would be solved through some more research and editing (Nathan Bomey's book, for example, covers analytically a lot of the topics that Philp touches on). As a reader and a Detroit resident I sometimes find myself frustrated at how detached he seems from the city at large, for example, vaguely mentioning a bar or a restaurant without mentioning its name, or mentioning his daily grind to make the bucks but not mentioning where he actually worked, his relationship with his coworkers, or what he sets up as a critical critique of his place of employment within the "New Detroit." I wouldn't say he makes any "unfounded" conclusions but rather sometimes just "underfounded." There are no glaring factual errors, by any means, but there are some minor errors and lack of connected dots that I think could be addressed through further examination.There is also a strange sort of Midwestern millennial hamartia, a Hemingwayesque self-flagellation that Philp seems to periodically indulge in, like, "Hey, you know, I could work for the man and be able to afford a loan on this house, but I'd rather suffer through the cold and the winter and drink and smoke heavily." Having fixed up my own house in a Rust Belt city and struggled through millennial underemployment in a crap recession economy, I can say that there is a degree to which this dedication should be lauded, but also to which it is really a personal choice and, sometimes, indeed, a less expedient choice. But he's not losing out in doing it, and I think that's sort of the point. He doesn't get up on a high horse about the "authenticity" of the Detroit experience but rather his ability to get back in touch with the authenticity of human experience of community itself, and basically castigates the hype and heavy marketing around the purported "authenticity" of the New Detroit, which I appreciate because I kind of hate it.Where Philp fails to delve deeper into a more rigorous sort of critical or academic examination of the economic and political climate of Detroit and urban planning at large, he makes up for it by identifying the overall deficiencies of a system that has failed to serve the poor and especially the citizenry of Detroit.This is a must read for any millennial, any Rust Belt transplant, and certainly anyone moving to Detroit.

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Free Download Rogue Archives: Digital Cultural Memory and Media Fandom (The MIT Press), by Abigail De Kosnik

Free Download Rogue Archives: Digital Cultural Memory and Media Fandom (The MIT Press), by Abigail De Kosnik

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Rogue Archives: Digital Cultural Memory and Media Fandom (The MIT Press), by Abigail De Kosnik

Rogue Archives: Digital Cultural Memory and Media Fandom (The MIT Press), by Abigail De Kosnik


Rogue Archives: Digital Cultural Memory and Media Fandom (The MIT Press), by Abigail De Kosnik


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Rogue Archives: Digital Cultural Memory and Media Fandom (The MIT Press), by Abigail De Kosnik

Review

Abigail De Kosnik has written a roguishly smart and inspiringly affirmative look at the political promise of digital archives created by fans, amateurs, hackers, volunteers, and pirates. Charting a dramatic shift between archive and repertoire, De Kosnik looks closely at the labor involved in fandom. People commonly marginalized in dominant narratives of technological development (LGBTQ, people of color, women) are innovating practices that significantly alter how cultural memory takes form at all. The implications of the shape-shifting of memory away from dominant tracks of power through new media are enormous. In De Kosnik's hands we get a fresh look at what a roguish future history 'may-be.'―Rebecca Schneider, Professor, Brown University; author of Performing RemainsIn this theoretically ambitious and densely researched book, Abigail De Kosnik offers a much-needed conceptualization of the ways in which online networks have reshaped―and may yet transform further―the cultural production of memory and its relationship to the ideal of democracy. Women, queers, and people of color in no way command the means of Internet production, but their archival and creative efforts may be read, as De Kosnik does so brilliantly, as models for a fresh, politically urgent, and licentiously rogue rethinking of the relationships among embodied performance and digital media, labor and pleasure, scandal and commonness, freedom and control.―Nick Salvato, Associate Professor and Chair of Performing and Media Arts, Cornell University; author of ObstructionRogue Archives looks at digital cultural memory, and how those involved in creating online content (particularly fan fiction, and the resulting fan fiction archives) are changing the hegemony of culture as defined by the creative industries. This groundbreaking text details how people are working together to create a nuanced and more inclusive discussion about culture, society, fandom, and consumption and creation.―Melissa Terras, Professor of Digital Humanities and Director of UCL Centre for Digital Humanities, University College London; author of Defining Digital Humanities

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About the Author

Abigail De Kosnik is Associate Professor at the University of California, Berkeley, with a joint appointment in the Berkeley Center for New Media and the Department of Theater, Dance, and Performance Studies.

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Product details

Series: The MIT Press

Hardcover: 440 pages

Publisher: The MIT Press; First Edition edition (September 23, 2016)

Language: English

ISBN-10: 0262034662

ISBN-13: 978-0262034661

Product Dimensions:

6 x 1 x 9 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#1,382,068 in Books (See Top 100 in Books)

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Download , by Sheryl Johnson

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Product details

File Size: 82006 KB

Print Length: 80 pages

Publisher: That Patchwork Place (August 1, 2018)

Publication Date: August 1, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07DGLCR35

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Zing. Pop. Wacky. Civil War repro prints.Which of the above is not like the others?Amazingly, they all go together in Quirky Little Quilts by blogger and shop-owner Sheryl Johnson. Classic blocks dominate each of the 14 “quirky” projects, resulting in many divine designs to please the traditionalist’s eye. Ms. Johnson jumbles and juggles war-era reproduction prints until they land in pleasing - but occasionally odd - layouts.(Please note that I don't follow the author's blog, had never heard of her before pre-ordering this book based on its title, and did not write this review at anyone's request. I did, however, go to Temecula once for an hour and it's a really neat town. But that was long before the author ever even opened her shop. My travelling companion was far more interested in dinner than quilting. Sad, but true.)Some of the quilts thrive on asymmetry. Rules of value, balance, and color get broken in others. Poison greens and ick yellows frolic shamelessly amongst the pinks and reds in “19th-Century Nine Patch” (13.5”x13.5”). Scrappy happenstance leads to already-eaten cakes and invisible pedestals in “Calico Cake Stands” (35.75”x28.75”), whose unusual finished dimensions make for a terrific wall quilt. Carefree trumps careless with “Shoofly Sampler” (21.5”x21.5”). 2 or 3 of its blocks are so low in contrast that they are muddy, technically speaking. And yet this quilt happily graces the book’s cover.~ ~ ~Many of the 14 projects are quite beginner-friendly. But do take note that basic quilting skills are assumed or dependent on other resources. Quirky Little Quilts has only 1 chapter of instructions, and that is for single-fold binding.~ ~ ~Although these quilts are small in their bound dimensions, a few are daunting in block sizes and number of pieces. For example, “Patchwork Potpourri” (24.5”x 31”) is a sampler of teeny tiny blocks, 1 of which is 2”x2” 9-patch block made of 9 half-square triangles. It will be a joyous challenge for lovers of miniature quilts.My favorite quilt is super simple and a rare example of Ms. Johnson paying attention to color theory. “Prairie Patches” (15.5”x19.5”) features an array of 1”x1” postage stamp squares arranged in a Trip Around the World pattern. The chosen colors are subtle, sublime, and fantastic. (And who cares if 1 of the directionally striped brown pieces is facing the “wrong” direction? Remember, no rules, just fun and love of fabric.)But my favorite favorite is “Mini Medallion” (20.5”x20.5”). It is a lesson in built-up stripped and pieced borders; 7 of them surround a single 3”x3” 9-patch block. 1 border is made of adorable tumbler blocks, while the outermost border is composed of piano key bars. I have gazed at this quilt's photograph for a certifiably nutty amount of time. I WANT and MUST HAVE those exact fabrics.More surprises await in this charming twist on tradition. I highly recommend you discover them on your own.

This book provides patterns for 15 small quilts ranging in size from 13 1/2" x 13 1/2" to 36 3/4" x 47 1/2" (most are closer to 18" x 24"). Each pattern is preceded by a brief paragraph describing the inspiration for the quilt. The photos are clear, as are the instructions, which include dimensions for not only the finished block, but the intermediate steps that make up the block, row, etc., as well. If you love old quilts, as I do, you will love this book.

Sheryl's first book surely won't be her last. This fun book includes something for everyone, and introduces a unique quilter to the rest of the world. I've earmarked several quilts to make immediately. That T quilt is calling to me!

Great book! This is a must have if you like scrappy quilts. Sheryl has done a wonderful job of collecting the perfect little quilts to adorn your home.

I enjoyed reading the book and reviewing the patterns. The scrappy and small quilts are intriguing. I looking forward to make some of these small treasures with my own scrap stash.

Quirky Little Quilts does not disappoint! It full of colorful little quilt patterns that are easy to follow and deliver a big punch to your decor. So many lovely fabrics used in the samples!

I love this quirky little quilt book! I love making smaller quilts. I can use fabric from my stash. I can have the joy of finishing my small quilt and start another one.

Just received my book and can hardly wait to start making some of the cute little quilts. Will be hard to decide which of the 15 patterns to try.

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Download Ebook , by Walter Farley

Download Ebook , by Walter Farley

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, by Walter Farley

Product details

File Size: 2572 KB

Print Length: 226 pages

Publisher: Yearling (September 28, 2011)

Publication Date: September 28, 2011

Sold by: Random House LLC

Language: English

ASIN: B005LUJJM4

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Amazon Best Sellers Rank:

#419,744 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This is the 4th book of the Black Stallion series. Like all of Walter Farley's books it is a complete story fans can be tread as a stand alone. I just suggest that you don't, so that you can really get the feel of the characters and their stories.Alex loves the son of the black, but soon learns that becoming a racing star means losing a private life. Through love and bravery Alec finds himself and his inner peace.Really great story. Mr. Farley always makes his characters feel like they are the reader's family.

This was a Birthday present for our granddaughter who has been introduced to Walter Farley's novels as I was 60 years ago. What a wonderful tradition to continue. Thank you for the opportunity to introduce the love of reading.

Another first class Black Stallion book. I read my first one at 14 and I'm 69 and still reading Black Stallion books.

You just can't go wrong with The Black Stallion series. Reading these to my daughter, and she is enjoying them as much as I did as a kid.

Great story

Loved this book....

Walter Farley has done it again in another classic book of the Black and Satan! If you love his stories about The Black Stallion, I would recommend reading this book.

Can the Black's son, Satan, the Triple Crown winner, outperform the greatest horses in the world in one international race? The answer comes down to whether or not the race will ever be run as a disease sends all the contenders to a farm for quarantine. When a forest fire puts all the contenders in jeopardy for their lives, it will take the fastest horse of them all to lead the way to safety. Is it the Black or his famous son, Satan? Read the book to find out--you'll love it!

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Download To Dream of Pigs: Travels in South and North Korea (Far Eastern Travel Series), by Clive Leatherdale

Download To Dream of Pigs: Travels in South and North Korea (Far Eastern Travel Series), by Clive Leatherdale

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To Dream of Pigs: Travels in South and North Korea (Far Eastern Travel Series), by Clive Leatherdale

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To Dream of Pigs: Travels in South and North Korea (Far Eastern Travel Series), by Clive Leatherdale

Product details

Series: Far Eastern Travel Series

Hardcover: 256 pages

Publisher: Hollym International Corporation; 1St Edition edition (September 1, 1995)

Language: English

ISBN-10: 1874287023

ISBN-13: 978-1874287025

Product Dimensions:

6.5 x 1.2 x 9.8 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

2.3 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#11,815,551 in Books (See Top 100 in Books)

I purchased this book over two years ago in anticipation of travel to South Korea. It was a difficult book to engage--before, during, and after--my stay in Korea. I love travelogues and books on travel over typical travel guides as they bring a traveler's perspective to the experience. There is a fine line, however, the author balances in order to bring the experience to the reader and not make it about the author himself. It sat on my bookshelf all this time...and I still couldn't bring myself to finish it. "To Dream of Pigs" sat among a boxful of books I just donated to my local public library.

It describes so vividly the backstreets of South Korea that you can see the pictures by reading. North Korea seems to be real axis of evel as President Bush claimed. Money is everything in South Korea and people even dream of furtune that is a pig. Leatherdale, the author/traveler describes what normal tourists can't see. You must read it.

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